Early praise for Our Child of Two Worlds

Beautiful and tender. I really love the characters… there is so much empathy and warmth and humanity. …the same esteemed league as Becky Chambers’ Wayfarers series… (Patricia Rodriguez, Actor, reader for the two audiobooks.)

A cross between ET and Independence Day… [Cox] ramps up readers’ emotions in this heart-warming and thought-provoking story. A world on the brink of destruction and the one small alien boy who is determined to save it. It’s very tense and I wasn’t crying – honest!  (Sue Tingey, author)

The writing is as wonderful as always, concerned with the small, telling details that show the wider picture so effectively. It’s evocative and beautiful and works to make you care even more deeply about both the characters and the earth that’s so under threat… This book has the same emotional heart and heft of the first one, but on a much larger (as in galaxies larger) stage, a tricky balancing act pulled off with aplomb. (Sophie, Goodreads)

It may be shelved under Sci-Fi but for me, Our Child of Two Worlds is a stirring novel about family and home. Rich with humanity, it explores our species’ tendency to damage ourselves, our relationships and Planet Earth. And at its core, it gives us Cory, the young, vulnerable ‘purple’ with tentacles who powered the original novel by making us love him. A powerful, sad but satisfying sequel.” (Sue Hampton, author, peace and climate activist)

I couldn’t put this book down … well written with an interesting and well written storyline and well-developed characters that I enjoyed (Goodreads)

Cox has done a superb job of building on all the strengths of the first book while taking the story in new and interesting directions. (Juliet McKenna, author)

The thing I liked most about Our Child of the Stars was the characters, they felt nuanced and real and even characters who only appear briefly are believable people who could be the main character of their own story. The same holds true for Our Child of Two Worlds, which takes the much loved characters of the first book and alongside brilliant newly introduced ones, thrusts them into new scenarios, some anxiety-inducing, some heart-warming, some both. The new characters fit into the story so well that if you reread, as I have, you can’t wait for them to turn up again to experience the exciting dynamics they bring.  (Lucy, Goodreads)

Our Child Of Two Worlds is modern, emotionally sophisticated science fiction. Stephen Cox’s tale of the charming but lost alien child Cory shows us that humanity, for all its flaws, is worth saving, and that the power of the human heart stretches from this world to the next ― DAN JONES, author of Man O’War and host of Chronscast.

Love and Joy and Hope

I have been writing novels seriously for ten years and working on Cory and his family for eight.

My warm thanks to all those who supported and challenged and questioned and fed back on my journey. The tale is stronger for your help.

Our Child of the Stars was only half the story I wanted to tell. Our Child of Two Worlds concludes my original idea for his story.  This forms a good time to reflect on love and joy and hope.

The books are a love letter to stories I have enjoyed – all sorts of books but specifically science fiction and other speculative works.  They show the joy of reading – how a book can take you to another world and make you care for people who don’t exist. 

They draw on film as well as books. They cry out to be a film or a TV series.

The books are about the joys of life and relationships.

The books are a love letter to people close to me – my parents, my children, and my partner.  Love is not blind to people’s faults – love is at its greatest when you know the faults and find a way through that.  It is also a love letter to that other great relationship, friendship. One critic found that the Greeks had eight different types of love, and the books talk about all eight of them.

When Pandora unleashed all the ills of the world – how men want to make women responsible for everything bad – the one thing left was Hope. 

The books say that life and love are precious. We live on an extraordinary world and yet it is under threat – from us. science fiction writers spin dreams of what is possible. Yet simply moving into space is centuries off being a relevant solution.   Whether aliens exist or not, it will be down to us to save ourselves.  If we have hope, that urgent change is possible. 

Things can show truth without being true. Fairy-tales are not there to tell us that dragons exist.  Fairy-tales are there to tell us that dragons can be beaten.

Events Updated 28 March

Thursday 31 March -SIGNING, Haringey

All Good Bookshop, Turnpike Lane

SIGNING 5-6pm

Just turn up

Saturday 2nd April – SIGNING, Enfield

Enfield Waterstones, Church St (Palace Gardens)

SIGNING 12-2pm

Just turn up

12th April – Super Relaxed Fantasy Club

This is a long established and friendly genre pub meeting – all welcome

Reading and Q+A from two authors. Other still TBC. Bookstall and signing

7pm onwards

(Possible fee on door)

Star of Kings Pub, York Way.  (North of Kings Cross Station)

Cymera 3-4-5 June, Edinburgh.  Some events online

Scottish Science Fiction, Fantasy, Horror convention

https://www.cymerafestival.co.uk/

I’m currently on one panel, Sunday afternoon. I’ll be around all weekend.

Planets are common. Is life?

Now 5000 exoplanets around other stars have been found, what does that tell us about the probability of life?

Our Child of the Stars assumes that another intelligent, social, technological species lives close enough that they can reach us with their faster than light drive. This is a common assumption in science fiction (which doesn’t mean the people who write it all think it could be true.)

Once we know two intelligent species exist, quite close together as galactic distance goes, the odds rise that there are plenty of others.  That raises Fermi’s famous paradox – if life is common, and technological civilisations arise, and the universe is very old, where are the older species of aliens?  Shouldn’t they already be here?  

In essence there are probably six questions

  1. Does life arise anywhere the conditions are right?
  2. How common are those right conditions and how long do they last?
  3. How often does complex life arise where the conditions remain right long enough?
  4. Will complexity given time always bring intelligent, social creatures?
  5. How often do intelligent, social creatures develop a technological civilisation?
  6. Do technological civilisations last long enough to spread between the stars – and do they want to?

Where are we on the hunt for alien life?

We have noticed no alien transmissions, but we have not searched enough of the sky, on enough frequencies, for long enough, to give up yet. Some things we need to know, we are still largely in the dark. A few we have learned a lot in the last few decades.

Thanks to the Kepler Space Telescope and some other searches, we can now be very confident the galaxy is packed with planets, and many will be in the right temperature zone, and in the right spread of sizes.

Life evolved only a few hundred million years after the Earth got cool enough to allow it. But unless a planet is within a stable range of temperatures, over a very long time, favourable conditions will end. It takes many millions of years to get from say bacteria to me.

That means, a stable orbit, and a stable star to orbit, is crucial for temperatures to remain in the right ballpark for long enough.

Astronomer Professor David Kipping says our solar system is unusual. To start with only a tenth of stars are like the sun – relatively stable output for a long time. Then, our system is tidy – one sun, and all the planets are in almost circular orbits.

Systems with multiple suns – the majority – usually won’t have planets in stable orbits. The twin suns of Tattoine? Probably not.

Jupiter’s role

Kipping argues massive planets like Jupiter are key. Current theories see Jupiter’s gravity playing a key role in developing the solar system.  Big Jupiter-like planets are common and easy to detect by radio astronomy. However, most Jupiters seem to have an eccentric orbit, swinging closer to and further away from the star.  Over time an eccentric Jupiter would pull other planets in all sorts of ways – a complex and changing set of orbits for smaller planets, including the possibility of being kicked out of the system altogether. In these solar systems, life might evolve but get shut down when its orbit changes, becoming too hot or cold.  Systems with a Jupiter close to the star tend not to have other planets near the star. Systems without any Jupiter at all could be unstable without a big gravity shepherd.

Kipping proposes we treat ‘having a Jupiter in a fairly circular orbit’ as a good way of picking solar systems that might be ‘like ours’. He thinks only one in a hundred suns like ours could have a stable earth and many of these there might be no big enough planet in the temperate zone.

There are many things which could prevent suitable planets remaining suitable. There are disasters affecting many systems at once (supernova/gamma bursts/wandering stars busting open the system, etc). A planet needs to be big enough to hold onto its atmosphere.

Nevertheless a small fraction of an enormous number is still a very big number.

A planet might have abundant life, even be intelligent, and never go spacefaring. For example, inhabitants of a world entirely covered in ocean would struggle to develop chemistry or use metals.

Life could easily be so rare, we might be alone in the Galaxy. But there is still a lot we don’t know and may not know until we run into another habitable planet.

If faster than light travel is impossible, spreading from star to star will take a lot of effort. Many cultures might not want to do so or need to. (But can we assume no culture would try?)

The real takeout is that the Earth, which we seem hell bent on destroying as a habitat, is probably rare.  Nowhere in the solar system is as favourable for us as say, the coast of Antarctica, or the Sahara desert. We need to treat our biosphere as if it is the only one we have, and possibly, the only one we will touch for a thousand years, or a million.  If Earth was hit by an asteroid, it would still be a better place to live than anywhere else we know.

In 12,000 years since we developed settled farming, we’ve got to a point of self-destruction.  There may be a simple and nasty explanation for the radio silence.  Maybe developing a technical civilisation is toxic.

Our Child of Two Worlds talks about that too.

(You may say what about life that is a wildly different chemistry and lives in the corona of stars or orbitting black holes. We don’t know how that would work or if we would recognise it if we found it.)

US Canada and worldwide availability of my novels

Our Child of Two Worlds is published in the UK (etc) in eBook, Audio and hardback 31 March 2022.

US and Canada confirmed eBook also out 31 March and hardback 14 June.

Our Child of the Stars and Our Child of Two Worlds are currently only available in English -the latter out 31 March 2022. (Translation rights enquiries welcome.)

‘Available in the UK’ also means both will be available in English in other countries worldwide. Ir was certainly on sale in Australia and New Zealand and popped up in Europe and Africa too.

Film rights also available and enquiries welcome

Chat about Cory March 1st 730pm GMT

Topic: Our Child of Two Worlds Discussion+Publicity

Tuesday 1st March 7.30pm for an hour (or we can run over those who want)
Have a friendly talk about the book, hear me read, Q+A about books writing publishing, and a chat about 3 or 4 simple, painless, and largely free ways to help me get the book out there.

You may not know what is helpful, and indeed, things people do that don’t help.

It’s things like buy the book (the **only** idea that costs anything!) and tell your friends you liked it.

Nice if you can, fine if you cannot. Come anyway, no pressure.

Message me for Zoom link and password.

Order signed copies

There will be signings in Haringey and Enfield around launchtime.

Fabled bookbox gurus Tea Leaves and Reads loved the first one. They have made Our Child of the Stars their April Book of the Month in hardback. They plan to make Our Child of Two Worlds a later Book of the Month. Both will be signed.

All Good Bookshop, Turnpike Lane, London (Cooperative bookshop, community hub, meeting place for groups, and supporter of my writing group.) You can ask for it to be signed, or dedicated, on the web order.

12 weeks to go – Our Child of Two Worlds

Our Child of Two Worlds completes the story begun in my much-praised debut, Our Child of the Stars.  It will be published in the UK on Thursday 31 March 2022, in hardback, eBook and audiobook.  Please preorder it to avoid disappointment.

I am going to be busy promoting the book and talking about various aspects of it.

No spoilers here

Small-town USA, entering the Seventies. A childless couple Gene and Molly adopt a strange, wounded child of the stars they call Cory.  Molly is the main narrative voice – a passionate nurse fighting for her own extraordinary child. Cory is gentle, vibrant, excitable, endlessly curious and loving – and come from yet his otherworldly origins. bring both joy and danger

In Our Child of Two Worlds a figure from the past brings uncomfortable truths and Gene and Molly face the terrifying loss of everything they took for granted. A divided Earth is under threat – humanity needs Cory’s people to return to save the Earth – but if his people take him back, it will break Molly’s heart.

My writing offers hope, optimism, and a taste of humour, but still facing up to the dark and difficult side of life. I think books can create worlds a bit different from ours, and still be truthful, providing the characters feel real. It was fantastic how well the books landed with readers of all genres. I hope I make people think, but it’s always a good story, not a sermon.

It’s not about the pandemic, at least not directly.

Here’s a few thoughts to whet your appetite.

The stakes are higher than before – for the characters and the Earth. Gene, Molly, Cory and baby Fleur face hatred, danger, and separation. I liked my agent’s summary of the first book

…a big Hollywood canvas and an intense family focus, emotionally devastating, funny and charming all at once’

So to reassure you, the big picture stuff is seen through the family’s eyes.

I bring in three memorable new characters I’m very proud of to make life even more complicated.

It’s an end of the world novel in several respects. It was an era with a real threat of nuclear war and a growing understanding of how humanity could destroy the environment.

Add to that, there are malign forces in space which could destroy a squabbling Earth. At that time the superpowers were edging towards more normal relations – the President whose career was built on fighting communism is about to visit China. Is there enough sense of common humanity (or love for nature) to unite?

As ever, it asks what we owe each other in this life. As ever, how people disagree makes the world what it is.

Please spread the word

How long is long enough?

The Art of Mending with Gold

Above Pop, the burning bowl of the cloudless sky, in every direction parched earth and dusty trees, and rocks striped with colour long before there were men.  The old man looked at the empty road, from the empty diner, believing he was alone.

The Hidden Words is an arts project to show short pieces of writing at the Blue House Yard, Station Rd, Haringey.  The opening of my story “The Art of Mending with Gold” is one of the pieces chosen. It is one of my favourites – I love the short story form, which allows free reign on themes and ideas, and imposes its own specific disciplines.

How long should a story be? Specifically, what makes something a short story and what makes it a novel?

A good short story gets into the situation, does its work, and gets out again.  It has more in common with songs and poems (of typical length) than novels do.  And very long stories told in poetry have more in common with novels.  Some short stories work at 1000 words, and some at 5000.

“The Art of Mending with Gold” is 1700 words.  A stranger comes to an isolated diner in the US desert west, with extraordinary consequences. The story has a beginning, a development, an end. It has three characters, and the action is concluded in one day.

The first answer to how long is intuitive. If everything seems to work, why make it longer?

Pop and Fernanda, and the stranger, are real people, and one could write their lives up to the point of the story. But I feel we know enough about them to understand what happens that day and to care.

The story ends how it does because (in my view) we don’t need to see anything more to understand emotionally what has happened, and we have space to imagine the wonder of how things are now and how tey will be.  Any more explanation feels unnecessary, assuming it is even possible.

Of course, everyone’s reaction can be different.

My novel Our Child of the Stars started as a short story, which showed the family preparing for Halloween, and then their peace is disrupted.  The conclusion showed the dilemma of their life together.

The short answer as to why it became a novel was that so much remained to be told. I wanted to show the sadness in Molly and Gene’s marriage, how Cory came, and why they were so convinced that they had to keep him a secret.  The short story showed a crisis unresolved. Was that day or something else going to bring more danger?

Showing that meant starting earlier – either to when Cory came, or as I decided, even earlier to show both joy and disaster in their marriage. Then, after that Halloween, if more danger comes, how do they prepare, what do they do? Where does it end? A novel is an exercise in obsession, thinking beyond what you need to write, understanding your characters in depth.

Once I knew Cory could not fit into one novel, it was soon apparent that it needed to be two. The first one works as a single book but left big questions unanswered. Readers would tolerate one key question gets some answer by the end of the second book. That’s where Our Child of Two Worlds comes from.

Sometimes a story could be longer and you still don’t.  You may love a short story with novel potential, and choose not to grow it into a novel. I have an 11000 word story where someone discovers the truth about their horrible society.  The elite will clearly not give up power without a struggle and there would be love, honour, struggle, sacrifice and perhaps redemption. My protagonist would be a player within that struggle. No shortage of material.  Yet I had said what I wanted to say, what interested me was in the story already.

As ever comments below! Or drop me a line.

Our Child of Two Worlds Finished (creatively)

Our hero cheerily finishes a book – anxieties of the second book – September and new starts – a new work in progress***

So!  Yesterday I edited a sentence – not a great sentence of itself, a brisk conveyer of information. Not important like the first sentence or the last.  It was the last outstanding sentence to edit of Our Child of Two Worlds. The long awaited sequel to Our Child of the Stars and the conclusion of the duology.

We are now at the proof stage. There’s a lovely jolt coming soon – and I am looking forward to it – because when proofs come it is laid out as a book.

On current plans, publication is six months away.  I am proud and excited, and frustrated that it will be some months before you have a change to read it.  Of course, I’m a bit nervous too.  Any writer is nervous what the readers might think – but those who have read drafts seem suitably bewitched.

I know nothing I could write can interest you as much as a copy of the book to read!

I promised newsletter subscribers

-a free Cory short story which is the wonderful opening of the first draft of Our Child of Two Worlds.  It’s perfect but the book now starts in a different place

-a chance to talk about helping/being involved in the launch

-and the opening of the conversation about whether we should write about the pandemic. 

Publishing is generally dissuading writers unless they have front line experience.  The 1918 flu was as deadly as the war and was largely ignored by literature.  For me, I think all human life was there, but its not the idea most obsessing me at present.

*** The work in progress is Victorian and it is affecting me

Do subscribe to my newsletter, ask questions via the contact form, and if you want to help with the launch get in touch.